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BiographyOriginally from Illinois, Shoshanna Ahart attended Marietta College in Ohio where she received a BA in Art/Honors in Art, with a minor in Theatre in 1984. After working as a graphic designer for several years, she moved to Washington, DC to study painting at American University and graduated in 1990 with a Master of Fine Arts (MFA), Painting. She then opened her Georgetown art studio and during her 15 year tenure as a professional artist in Washington, DC taught painting and drawing; was an invited Guest Artist-Lecturer to a number of institutions, including The National Building Museum; and worked as a freelance properties designer for several professional theatres in the metropolitan area. |
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In September 2003, Ms. Ahart moved to Eichstaett, Germany (approximately one hour north of Munich) and established the Ahart Atelier. She accepts commissions from both corporate and private patrons and since 2006 has been an adjunct professor at Catholic University Eichstaett-Ingolstadt, teaching Painting and Color Theory. |
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Methodology & TechniqueWorkingfrom direct observation has always been Ms. Ahart’s preferred method, whether working in the studio or outdoors. For more than 20 years, her favorite subject matter has been historic architecture. Known for its beautiful landscape and stunning architecture, Eichstaett provides the perfect inspiration for Shoshanna’s artwork. She seeks to capture the sense of place of a location. |
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Since moving to Germany, Ahart has become more intrigued with the landscape and nature that surrounds the architecture in her area. Now, natural plant forms often move in and around the geometric forms of the architectural settings. Sometimes, the landscape takes over and replaces the architecture as the subject entirely. |
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Trained as an oil painter, Shoshanna Ahart began working with chalk pastels in 1992 on the advice of her mentor, internationally known American artist, Wayne Thiebaud. Pastel has now replaced oils as her preferred medium. Ms. Ahart uses soft pastels, primarily Schminke brand, on heavy, coarsely textured pastel paper. She thickly layers the color, often spraying between layers in order to apply addition pastel over the previous colors. When the painting is complete a final layer of fixative is applied. Over the years, she has developed a unique pastel technique, which gives her work a painterly quality. |
Selected Awards & Residencies
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Selected Exhibitions
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